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Reconstructing Reality

Cinema is a form of writing with moving images, a way of thinking and articulating ideas.

Audiovisual strategist at the intersection of creativity and management

I am a film professional with experience in editing, post-production, and assistant directing. I have worked in the coordination and management of audiovisual projects, from on-set planning to final editing. I also specialize in writing proposals for grants and open calls, contributing to the development of cultural and audiovisual projects.
 

My background includes organizing film events, distributing documentaries to festivals, and handling the administrative management of productions. With a strategic approach and a high level of organization, I bring creative solutions and efficiency to every stage of the audiovisual process.

Video Editor

Shaping narratives from the cutting room

For me, editing is a crucial part of the storytelling process. My work centers on preserving the director’s vision while maintaining an efficient production rhythm. I approach each project with great care, balancing creativity and organization to ensure the narrative flows smoothly without compromising deadlines or workflow. Editing is where the story truly takes shape, and I take pride in being the bridge between artistic intent and practical execution.

Coordinator  

Solutions for Creative Chaos

From a comprehensive and collaborative approach, I coordinate teams in the cultural and audiovisual production fields to challenge expectations. I ensure seamless and integrated coordination across all departments to foster effective communication and achieve shared goals.

​Archive management and retrieval

The Re-signification of Archival Images

My background in documentary filmmaking and editing has sparked a deep passion for working with archival materials and exploring their creative reinterpretation. I bring experience in archive management and image sourcing for documentary projects, combining storytelling with historical preservation. I’ve completed specialized training in audiovisual collection digitization with Pamela Vizner (DPOE-N/UPR Caribe Digital), and I’m currently part of the Cultural Factory for the Digitization of Historical Documents — an initiative led by the Archivo General de Puerto Rico that sharpens skills in preservation and digital archiving.

Assistant Director

Let's play!

On set, I am part of the assistant directing team, taking on roles ranging from walkie production assistant to first assistant director. I ensure seamless communication between the technical and production teams to keep everyone aligned.On set, I am part of the assistant directing team, taking on roles ranging from walkie production assistant to first assistant director. I ensure seamless communication between the technical and production teams to keep everyone aligned.

Grant and Proposal Writing

From concept to commitment: proposals that deliver.

Transform your vision into a funded project through strategic grant and audiovisual proposal writing. I prepare tailored applications for labs, funds, patrons, and sponsors, ensuring each proposal effectively communicates your project's unique value and potential impact. With a focus on clarity and persuasion, I help turn creative ideas into successful realities.

Documentary Distribution and Marketing

The ultimate goal of filmmaking is to reach its audience.

With a curated list of film festivals and expertise in marketing packages, I prepare tailored dossiers for the distribution and promotion of your films. Ensure your film gets selected by presenting your project information professionally.​

Script Supervisor

What better choice for continuity than hiring an editor?

I am currently preparing to take on the role of script supervisor on set, but… who better than an editor to ensure your film maintains perfect continuity?

Experience

Director / Co-director

  • Vivo en un pueblo vivo (2023) - Dir. Natalieann Feshold. Impact Campaign.

  • Salineras (2023), Dir. Teresa Hernández & Natalieann Feshold. Collaborations with Local Artists.

  • Morbidez Tropical (2020) - Dir. Natalieann Martínez Feshold. Collaborations with Local Artists.

 

First Assistant Director (First AD)

  • Cooperativa La Sagrada Familia (2025). Dir. Joel Pérez Irrizary. TV & Social media commercial.

  • Cada Historia Cuenta (2025), Dir. Joel Pérez Irrizary. Social media commercial. 

  • Eso que te hace bien, San Patricio (2025), Dir. Joel Pérez Irrizary. TV & Social media commercial.

  • Church's Chicken (2024), Dir. Joris Debeij. TV & Social media commercial.

  • Liberty – Jasmine Camacho-Quinn (2023), Dir. Joel Pérez Irrizary. TV & Social media commercial.

  • Pickup Walmart y Posible (2023), Dir. Joel Pérez Irrizary. TV & Social media commercial.

  • Morenas (2021), Dir. Victoria Apolinario & Iván de Lara. Feature-length documentary.

  • Lo que no se ve ni se oye (2021) - Dir. Clara Cullen. Feature-length documentary.

 

Second Assistant Director (Second AD)

  • Turista (2025) – Dir. Janthony Oliveras. Music Video.

​​

Producer

  • Cada Historia Cuenta (2025) Dir. Joel Pérez Irrizary. TV & Social media commercial.

  • Vivo en un pueblo vivo (2023) - Dir. Natalieann Feshold. Impact Campaign.

 

Production Coordinator

  • 13.4 STNH (2025) Dir. Llaima Suwani Sanfiorenzo. Short Documentary for Tribeca & ESPN Deportes.  

  • Celebra con el fondo nacional para las artes (2025) Dir. Gabriel Coss & Yara Nazario. Impact Campaign.

  • Jowell & Randy Concert Choliseo (2022). Sentido Común. Live broadcast. 


​Production Assistant (PA) / Set PA

  • La mudanza (2025) – Music Video, Additional Set PA, Dir. Janthony Oliveras. Music Video.

  • The Four Seasons (2024), Additional Set PA. Netflix Series.

  • Lo que nos une: Especial del Banco Popular (2024), Key Set PA, Dir. Juanky Álvarez. Feature-length documentary.

  • De Tal Palo (2024), First Team PA, Dir. Iván Dariel. Narrative feature film.

  • Econo (2022). Sentido Común. TV & Social media commercial.

  • Covid 19 Propaganda (2022) Sentido Común. TV & Social media commercial.

  • Pizza Hut (2022) Sentido Común. TV & Social media commercial.

  • Salud WIC (2022) Sentido Común. TV & Social media commercial.

  • Universidad Ana G Mendez (2022) Sentido Común. TV & Social media commercial.

Editor:

  • ​Arte que ilumina, Windmar (2025) – Dir. Raymesh Cintrón. TV & Social media commercial.

  • Hustleween: A mal tiempo buena rostra (2024) – Dir. Samara Pérez, Filmes Casa. Short documentary film.

  • Los Perdidos (2024) – Dir. Fernando Vallejo, Young Collective. TV & Social media commercial.

  • Mal gusto exquisito (2024) – Dir. Mariana Monclova. Presented at the European Film Festival, Cortadito Competition 2024. Short fiction films.

  • Reciclaje del Norte: Mundo Material y Artistas del Museo del Reciclaje (2024) – Dir. Yarelmi Iglesias, Filmes Casa. Impact Campaign.

  • El llamado (2024) – Dir. Pedro Adorno Irizarry. Feature-length documentary.

  • La fórmula STEAM (2023) – Dir. Gabriel Coss. TV program, WIPR.

  • Promo – Behind the Scenes: Érase una vez en el Caribe (2023) – Dir. Claudia Calderón. Social media commercial

  • Vivo en un pueblo vivo (2023) – Dir. Natalieann Feshold. Impact Campaign.

  • Salineras (2023) – Dir. Teresa Hernández & Natalieann Feshold

  • Salud de un pueblo (2023) – Dir. Patricia Benabe. Short documentary film.

  • Tuna Dorada (2023) – Dir. Patricia Benabe. Short documentary film.

  • No eres tú, es el cosmos (2021) – Dir. Claudia Calderón. Short documentary film.

  • Nacimiento en la playa (2021) – Dir. Pedro Adorno Irizarry. Collaborations with Local Artists.

  • Lo que no se ve ni se oye (2021) – Dir. Clara Cullen. Feature-length documentary.

  • Travesía (2020) – Dir. Álvaro Aponte Centeno. TV & Social media commercial.

  • Puerto Rico ganó el oro (2020) – Dir. Álvaro Aponte Centeno. TV & Social media commercial.

  • Nace (2020) – Dir. Álvaro Aponte Centeno. TV & Social media commercial.

  • El último timbre (2019) – Dir. Bet Collazo. Feature-length documentary.

  • Farmer, Ensure (2018) – Dir. Álvaro Aponte Centeno. TV & Social media commercial.

  • Family Beach, Ensure (2018) – Dir. Álvaro Aponte Centeno. TV & Social media commercial.

  • Spring–Summer (2018) – Dir. Clara Cullen. TV & Social media commercial.

  • Hermes (2017) – Dir. Clara Cullen. TV & Social media commercial.

  • CHANEL RED (2016) – Dir. Clara Cullen. TV & Social media commercial.

  • Kristen Stewart for The New York Times (2016) – Dir. Clara Cullen. TV & Social media commercial.

  • Respuestas Para El Paso del Tiempo (2016) – Dir. Pablo Marasco. Short Documentary.

  • Criaturas Salvajes TV (2015) – Television program, CN23.

  • Huesitos de Pollo (2014) – Dir. Juan Manuel Ribelli. Short film. Official Selection at BAFICI 2015.
     

Assistant Editor and other roles:

  • Hasta que la celda nos separe (2024) - Dir. Mariana Emmanuelli. Rough cut editing for feature film. Narrative feature film.

  • Casa Pura (2023) - Assistant Editor. Editor: Pedro Muñiz. Narrative feature film.
     

Other Roles (Production, Creative Collaboration, Consulting)

  • Casa Vacía, Los Cerezos (2025) - Dir. Los Cerezos. Music Video.

  • Inédita (2020) - Dir. Lío Villahermosa. Collaborations with Local Artists.

  • De boca en boca (2015) - Dir. José Campos. You Tube series. Biennial of Young Art, Buenos Aires, Argentina.

2022-2024

Asociación de Documentalistas de Puerto
Rico (AdocPR)
San Juan, Puerto Rico 

Coordinator of the 8th Tour and 9th Documentary Film Showcase “Latinoamérica en Nosotrxs.”
Managed and wrote the grant proposal for the Flamboyán Foundation Fund. Planned and executed a comprehensive strategy that included media outreach, programming, logistics, and securing permits for the program, culminating in the successful celebration of the event.

2022

Asociación de Documentalistas de Puerto
Rico (AdocPR)
San Juan, Puerto Rico 

Administrative Assistant
Detailed organization of documents and invoice administration. Management and coordination of meetings, team leadership, and collaboration on action plans for the organization. Grant and call for proposals writing and management.

2018 - 2020

Reaktor - Post
San Juan, Puerto Rico 

Post-Production Coordinator
Managed the allocated budget for post-production projects, ensuring efficient use of resources. Identified and resolved issues arising during the process through effective measures. Maintained detailed records of all post-production activities, including costs, schedules, and revisions.

Abstract Paint

Education  

2013-2015

Fundación Universidad del Cine, Argentina. 

Recipient of a scholarship at Fundación Universidad del Cine in San Telmo, I pursued a Master's degree in Documentary Film with a specialization in editing.

2008-2012

Bachelor’s Degree in Audiovisual Communication
University of Puerto Rico, Río Piedras Campus. 

Graduated Magna Cum Laude with a minor concentration in Humanities. Participated in an international student exchange program (ISEP), spending one semester at the University of Palermo, focusing on photography and film/video editing. Awarded the Gilman Scholarship in 2010.

Certifications

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"This process taught me to see preservation as an integrated task: handling with care, capturing with precision, and ensuring responsible access for future generations."

Cultural Labs: Digitization of historical documents from March 24 to May 24.  

Lets Talk! 

+1 (939)4514297

natalie.ann77@gmail.com

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